There were also something to remember when choosing a photo to transfer into canvas art. Make sure your photo are fit with your canvas, since most of the photograph has square shape which are more fit into rectangular canvas.
Even better if you got good resolution photo, cause it could be zoom as big as it can get. Some good canvas should be coated to prevent scratch and crack.

Checking your photo for high resolution and the image quality are also important, make sure it shouldn’t below 100 dpi. Because you will got blurry photo canvas as the result if you got it below. Some also need photo editing software to be perfectly fit with your photo canvas.

And last tips is pick only everlasting photo, unless you got insufficient funds, you could select it randomly.
If memories photograph just remind you of some one, or you might want something others, then the choice is wall art.

How did you know photography. Tell us from the beginning.
I made some home movies when I was little about me being chased by dinosaurs…
Then eventually our family got a digital camera point and shoot when I
was older. Then I shot some local bands for a bit and eventually got bigger clients,
better equipment and more money!

What interesting for you about
photography?
It makes me responsible for capturing
a person and presenting them in one
frame.

What makes you love travel photography?
Eating all the peanuts on the flights to
the locations.

When shooting travel photography.
What do you want to
achieved or must be achieved?
I am not looking so much for a photojournalistic
image, I am looking for a
dignified portrait. The same thought
process goes to a subject in a travel
portrait as a commercial portrait. I do
not believe in separating style based
on the subject.

In both technical & non technical
aspect, what is the most
important thing on doing travel
photography.
Putting the technical things at the
back of your head only, so you may use
them but are not distracted by them…
and of course making a portrait with
dignity.

On Non photography aspect,
what should people learn or pay
attention more to be a good
travel photographer.
Learn the story of their subject, what
they believe in, or at least something
small about them.

What triggering you to create a
picture?
It is the thing that fuels my journeys,
without photography I would not be
pushed to meet the interesting people
I do, or see the beautiful places I see. I
am very blessed to have the opportunities
I have.

When photography are growing
faster. So many photographer
have an identically the same
style & character. What should
a photographer do to get still
unique & distinct?
It is very important to first spend some
time viewing work, learning technicalities,
and learning but it is also just as
important to forget all about other
people’s photography, and ignore the
industry of it completely. When you do
this, you can take a picture more honest
to your vision.

You also shoot commercial &
portraiture. What’s interesting
about those two?
A new challenge every shoot.

Which one do you like doing it
most, travel photography, commercial
photography or portraiture?
Why?
I like my personal work better because I
have more control over my subjects.

What kind of photo deserved
labeled as a good photo?
A good photo is an image that makes
another photographer jealous of
course!

Share us some practical tips on
making a good photos.
Make a lot of mistakes and experiment
with everything you can.

Not many young photographer
or even they who older than you
have better capability and confidence
on photography. Share us
some tips to at least be better on
those aspect.
I think the best and most successful
photographers are always confident
but also trustworthy. If someone
doesn’t trust you, they will not be able
to make a good photo with you and
the quality will suffer because of it. A
good photographer takes time out of
shooting, and adds time into investigating.

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How did you know & learn
photography? Tell us from the
beginning.
My first camera I bought at a garage
sale when I was 8 years old. I was fascinated
with the camera and the photos
it would produce. I was only able to
photograph a few rolls of film with that
camera because my $2/week allowance
wouldn’t cover the costs. When I
was 14, I rediscovered photography. I
had a paper route so I could afford the
costs. I initially wanted to photograph
my friends doing skateboard stunts,
though after I built a darkroom when I
was 15 I really got into black and white
and began photographing the landscape
as well.

What makes you do photography?
What interesting about it?
Photography is a meditative ritual for
me. The consistent pace of life at home
can be somewhat overwhelming, so
going out to photograph is like a vacation.
I get in the car, drive somewhere,
then hike around to see if I can find
something interesting to photograph.
I have always been interested in the
landscape, as I like to travel. Be it
driving down the Pacific Coast Highway
to Big Sur, or traveling abroad, I
find it very enriching to see the world
and find unique perspectives of the
scenery.

You learn photography from
analog era. What is the different
between the analog photographer
era and photographers
who learn photography on
digital era?
I think working traditionally (analog)
requires much more patience. Nothing
is immediate when working traditionally.
With digital, one can see the
results on the screen of the camera
immediately, while working with film,
one must develop the film in the darkroom
(which my be half a world away if
traveling) What I can do in photoshop
in 5 minutes may take 5 or more hours
in the darkroom.

Which one do you like better,
digital photos or analog photos?
Tell us the reason
I prefer analog photography. The
power of a photograph is that it
represents reality. A certain reality. By
keeping with traditional methods, the
chain from the scene in front of the
camera to the film to the final print is
totally linked together. If I used digital
imaging in the process, the element of
reality is erased, discrediting the true
power of a photograph. This is because
once in the digital arena, one can
manipulate a scene so easily, like the
way Hollywood makes sci-fi or fantasy
movies using digital techniques.

You had assisted some commercial
photographer & fine art
photographer. What the different
between the two of them in
term of characteristic & mindset?
A commercial photographer is working
from without (take a photo of this
product for company), while a fine art
photographer is working from within
(I like this so I will photograph this).
Does that make sense to you?

Some people said that black
& white photo is easier to be
looked good compared to color
photo. Do you agree on this? Tell
us the reason.
I think either will look good if done correctly.
B&W is removed one level from
reality because of the monochrome
nature. Humans generally see in color,
so that may explain why a B&W print
may be more compelling to view.

Do a very good black & white
photography like Ansel Adams
did is very difficult. Only few
photographers can. What are
they missing that ansel adams
have done.
An 8×10 inch camera! (laughing)…
Ansel would find a scene he liked and
then wait for the conditions he felt
were right to make a photograph.
Sometimes he would wait days for the
correct clouds and light. Most people
don’t have the time or patience to wait
so long. Also, Ansel could really see
what he felt and express those feelings.
visually

Zone system is one of the best
techniques of producing photos.
Unfortunately only few that
knows the right definition of
it. Can you simplify what zone
system is, what is the advantage
of using it, and how it work.
The Zone System is a method of exposing
a piece film and developing that
film accordingly to achieve desired
effects. Basically, it is expose for the
shadows and develop the film for the
highlights. The advantage is that one
can produce a negative with consistency,
which will print well on a grade 2
black and white photo paper. It would
take a book to explain how it works,
which is why Ansel wrote The Negative!
Of course, the Zone System won’t work
with digital photography.

Explain what is your “tone system”
really are?
Since I use roll film, I do not have the
luxury of fine-tuning each individual
negative. Generally, I expose for the
highlight tones. I let my feelings of
the scene dictate what this might be,
sometimes an overexposed negative
is better, sometimes an underexposed
negative. I use a film developer called
pyrogallol, which is very forgiving. It
allows me to use this method.

When creating a picture, do you
got the idea first or do you get
to the location first then get triggered?
Both. I will go to a location with the
intent of making a photo because I
have been there many times in the past
and I think the light will be appropriate
for the subject. I do enjoy traveling, so
often I will get in the car and drive until
I see something, or go for a hike and
find something. I really like it when I
find something to photograph that is
unplanned. Even by going to a specific
place, I never really know what I will
photograph. Somehow, the elements
in a scene strike me in some way so
that I am compelled to photograph
them. That is usually what happens in
my work.

Mention one word that describe
your photos.
Timeless.

Speaking about fine art. Share us
some tips to improve our level
of art sense since fine art often
perceived as a “difficult to understand”
thing.
Create images from your heart. Photograph
what you are drawn to. Whatever
it is that excites you, that is what you
should do, because if you don’t, you
will never make that expressive photo.

Do you think a photographer
should learn about print making?
How important it is, and
what is the advantage of learning
that?
I think that all aspects of photography
is important. Composing the image,
exposing the negative, developing
the film and printing the image. The
print is probably the most important
though, because it is what we present
to the world. There are many good
photographers who cannot make a
good print. A good print is one that
has luminosity, almost a glow from
within the image itself. The balance of
tones, the relationship of shadows to
highlights are very important in black
and white photography. Not every
photo needs a deep black or a brilliant
white. It is in the knowing which
makes an expressive, fine print.

Share us some tips for beginner
to learn photography properly.
The best tip I can give is keep photographing.
Practice. I made many
thousands of negatives and prints
before I began to grasp what makes a
good final photograph. Take classes to
further your studies. Look at work by
photographers you admire and study
the images you like.

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1. Prepare your photos and purchase canvas paper
After deciding which photos to be uploaded, make sure you have the orientation / shape of the photograph.
This will determine your photos, whether its suitable in square or rectangular shape.
Don’t forget that the shape’s has to match with the canvas you had bought.

2. Locate your photo main subject
The purpose of locating your photos is to get the main subject of your photos. In this step it might required you to cut some of your photos, or you might want to stretch your photos. As long the subject quality not decreasing, you could do whatever you want.
Other technique you must know is blur technique, with it, you could made a dimension on your photos.

3. Resolution of your photos
Don’t forget on the resolution quality, because it might impact on the photos results.
A digital image is made up of many tiny dots called pixels, and each pixel can be one of many colors. Resolution in terms of a digital photograph represents the size of the pic, and this is normally measured in the number of million pixels (megapixels) the camera is capable of recording.
The bigger your resolution, the best quality photos you will have and off course you could print it in bigger size.

4. Photo quality and print size
For a couple of hundred dollars, one is able to purchase a really nice little camera that can take photos of a resolution that not so long ago, only the top-end professional digital cameras were capable of.
The question that we are often asked is “how big can I go with my photo?” There is both a science and an art behind the answer to this question.
Using the megapixels (resolution) of your photo and the required pixels per inch, you could mathematically determine the size of photo to be printed, without any enlarging/scaling. That is the science part!
The art part comes in when you do some modification / effect to scale your photograph bigger than its scientific size, without affecting the quality.

There it goes canvas prints step describe above hopefully could help you folks, to increase the value of your photos.