If photographer already understand the ins and outs of photography
inanimate objects with all the effects of light, then photographing human would be technically easier. The key are get closer to concept, not just based on intuition or technical, then let the image speak it.

Then I’d like to talk about the object of the image itself. Most of the time, creating or shooting an object and let the object stood out, is not easy for some photographer. The photographer should get the correct angle or spot that making the object all out and speak them self.

Some of us might think that with proper lightning would be enough making image communicate, such as hiring a super model that used to wear very minimalist outfits. The model herself have speak, but then the idea is making her much more attractive then she should be. Don’t let your image just ordinary, remember that shooting an attractive object could be done a little children as well, an the image does talk too, why? cause the object is a beautiful model.

And it also lead us to computer design, these days almost everything could be fix with computer software, but are you going to limit yourself with bunch of software? I guest not, don’t limit it, stay wide open, always learn and absorb knowledge, dig your technical skill, and made your image speak them self.

Go buy Staples Center Tickets, or Honda Center Tickets, or Allstate Arena Tickets, or United Center Tickets, and let sports inspire you, or you could just practice your skill with shooting moving object. There’s a lot of thing you could do.

There were also something to remember when choosing a photo to transfer into canvas art. Make sure your photo are fit with your canvas, since most of the photograph has square shape which are more fit into rectangular canvas.
Even better if you got good resolution photo, cause it could be zoom as big as it can get. Some good canvas should be coated to prevent scratch and crack.

Checking your photo for high resolution and the image quality are also important, make sure it shouldn’t below 100 dpi. Because you will got blurry photo canvas as the result if you got it below. Some also need photo editing software to be perfectly fit with your photo canvas.

And last tips is pick only everlasting photo, unless you got insufficient funds, you could select it randomly.
If memories photograph just remind you of some one, or you might want something others, then the choice is wall art.

How did you know photography. Tell us from the beginning.
I made some home movies when I was little about me being chased by dinosaurs…
Then eventually our family got a digital camera point and shoot when I
was older. Then I shot some local bands for a bit and eventually got bigger clients,
better equipment and more money!

What interesting for you about
photography?
It makes me responsible for capturing
a person and presenting them in one
frame.

What makes you love travel photography?
Eating all the peanuts on the flights to
the locations.

When shooting travel photography.
What do you want to
achieved or must be achieved?
I am not looking so much for a photojournalistic
image, I am looking for a
dignified portrait. The same thought
process goes to a subject in a travel
portrait as a commercial portrait. I do
not believe in separating style based
on the subject.

In both technical & non technical
aspect, what is the most
important thing on doing travel
photography.
Putting the technical things at the
back of your head only, so you may use
them but are not distracted by them…
and of course making a portrait with
dignity.

On Non photography aspect,
what should people learn or pay
attention more to be a good
travel photographer.
Learn the story of their subject, what
they believe in, or at least something
small about them.

What triggering you to create a
picture?
It is the thing that fuels my journeys,
without photography I would not be
pushed to meet the interesting people
I do, or see the beautiful places I see. I
am very blessed to have the opportunities
I have.

When photography are growing
faster. So many photographer
have an identically the same
style & character. What should
a photographer do to get still
unique & distinct?
It is very important to first spend some
time viewing work, learning technicalities,
and learning but it is also just as
important to forget all about other
people’s photography, and ignore the
industry of it completely. When you do
this, you can take a picture more honest
to your vision.

You also shoot commercial &
portraiture. What’s interesting
about those two?
A new challenge every shoot.

Which one do you like doing it
most, travel photography, commercial
photography or portraiture?
Why?
I like my personal work better because I
have more control over my subjects.

What kind of photo deserved
labeled as a good photo?
A good photo is an image that makes
another photographer jealous of
course!

Share us some practical tips on
making a good photos.
Make a lot of mistakes and experiment
with everything you can.

Not many young photographer
or even they who older than you
have better capability and confidence
on photography. Share us
some tips to at least be better on
those aspect.
I think the best and most successful
photographers are always confident
but also trustworthy. If someone
doesn’t trust you, they will not be able
to make a good photo with you and
the quality will suffer because of it. A
good photographer takes time out of
shooting, and adds time into investigating.

payday loan

Explain to us how you get doing photography and what makes you
interest on it?
In fact my first steps with photography took place during my childhood. My father
was really addicted with photography, and he guided me in my first approaches
and tentative. But in fact during all this period I knew I preferred drawing, so, after
my architecture studies I wanted to be an illustrator or a comics book author, and
that’s why I started to work as a professional illustrator both for press and publishing
houses. It was in the mid 1980’s.

In the early 1990’s I took an interest in computer graphics and 3D art, working for
several animated cartoons published on CD-Roms. I also designed websites. And
then, I later entered a major telecom group in France as a creation director, but,
finally, in 2005, I decided to pursue an artistic career once again. My goal was to
draw again, but curiously photography took place. In 2006 I bought a DSLR and
I found in photography, and especially in B&W, all I always wanted to tell. Today
photography has become my exclusive means of artistic expression.

You study architecture, is there
anything you have learn on
architecture
subject that helps you creating
a good picture? Please explain.

Of course everything you learn in your
life brings a lot and improve your art.
Architecture is a way to understand
spaces, geometry, rhythm and construction.
As an image creator architecture
is a great inspiration, and a great
subject to shoot, of course. Architecture
has inspired some of my series like
« Versailles » « Cities »or « Les Ravalet ».

A friend once said that if a photographer
can draw, it helps him
doing photography. What do
you think about that?
What’s in the drawing capability
that really helps a photographer
creating a photo.

I agree with your friend. That’s exactly
what I used to think.

You know, I drew comics for many
years, and I think it’s a major art. I really
learned a lot in this job. The way you
have to compose a picture to tell a
story, the scene cuts, the light work,
importance of black, use of shadows,
etc. When I look at some of my photos,

I recognize this influence in the means
I use to take and develop the photograph.
If you just look an illustration or
a comic, you can easily see the means
the author used to bring you in the
action. In my opinion, it ‘s definitely the
same process.

You don’t have a photography
education background. How do
you learn it and how to still get
improved time to time?

That’s right I never learn photography
at school, but my father taught me a lot

when I was a teenager.
But when I started, in 2006, I didn’t
really know what I would do with photography,

but when I realized my first
b&w photos, I did! It was a revelation..
I subscribed to some Art communities
on the internet in September 2006 and
began to show my work. Those communities
really helped me a lot to go
further in each new pic or series. And
it’s a fact that I have really learned a lot
showing my work to others, reading
critiques or single comments. Little by
little I improved the style, listening to
what people said on my photographs,
and finally I felt the direction I want to
take.

wait our next conversation with Bruno in the next posts.

First of all, we improvised an MRT. For
this we used an old oven and connected
it to an … erm … a cathode ray,
the usual, you know … and an ironing
board as an examination table. If you
ask me, that’s the way the real things
are built, they’re just camouflaged
better!
Next we needed a test person, and
who better for the job than my brother
Markus? In the MRT, he was shown a
magazine. And there, can you see it on
the monitor? His brain’s lit up!!! This is
what is known as the “reward centre”. It
lights up most when confronted with
a washing powder advert. See: clear
proof of the potential of brain research!

Now let’s take it a step further: I’m going
to directly access the test person’s
brain. With the aid of, erm … what was
it called again? Ah, yes … with a magnetic
resonance indoctrinator, I’m going
to project my sales message about
ATA, the scouring agent. “Buy ATA! ATA
will make you happy!” And the brain
promptly shows ATA “indoctrination”, as
scientists call it.

So, is it really possible to “specifically
turn a consumer into a buyer and lastingly
manifest a brand in the brain”, as
the agency BBDO predicts?

Well, only 30 minutes on, my brother
was seized by a strong desire to go
shopping, so we took him to the
supermarket. What will he buy, we all
wondered? ATA, of course! There’s the
proof: neuromarketing really works!
Yihoo!