There were also something to remember when choosing a photo to transfer into canvas art. Make sure your photo are fit with your canvas, since most of the photograph has square shape which are more fit into rectangular canvas.
Even better if you got good resolution photo, cause it could be zoom as big as it can get. Some good canvas should be coated to prevent scratch and crack.

Checking your photo for high resolution and the image quality are also important, make sure it shouldn’t below 100 dpi. Because you will got blurry photo canvas as the result if you got it below. Some also need photo editing software to be perfectly fit with your photo canvas.

And last tips is pick only everlasting photo, unless you got insufficient funds, you could select it randomly.
If memories photograph just remind you of some one, or you might want something others, then the choice is wall art.

How did you know photography. Tell us from the beginning.
I made some home movies when I was little about me being chased by dinosaurs…
Then eventually our family got a digital camera point and shoot when I
was older. Then I shot some local bands for a bit and eventually got bigger clients,
better equipment and more money!

What interesting for you about
photography?
It makes me responsible for capturing
a person and presenting them in one
frame.

What makes you love travel photography?
Eating all the peanuts on the flights to
the locations.

When shooting travel photography.
What do you want to
achieved or must be achieved?
I am not looking so much for a photojournalistic
image, I am looking for a
dignified portrait. The same thought
process goes to a subject in a travel
portrait as a commercial portrait. I do
not believe in separating style based
on the subject.

In both technical & non technical
aspect, what is the most
important thing on doing travel
photography.
Putting the technical things at the
back of your head only, so you may use
them but are not distracted by them…
and of course making a portrait with
dignity.

On Non photography aspect,
what should people learn or pay
attention more to be a good
travel photographer.
Learn the story of their subject, what
they believe in, or at least something
small about them.

What triggering you to create a
picture?
It is the thing that fuels my journeys,
without photography I would not be
pushed to meet the interesting people
I do, or see the beautiful places I see. I
am very blessed to have the opportunities
I have.

When photography are growing
faster. So many photographer
have an identically the same
style & character. What should
a photographer do to get still
unique & distinct?
It is very important to first spend some
time viewing work, learning technicalities,
and learning but it is also just as
important to forget all about other
people’s photography, and ignore the
industry of it completely. When you do
this, you can take a picture more honest
to your vision.

You also shoot commercial &
portraiture. What’s interesting
about those two?
A new challenge every shoot.

Which one do you like doing it
most, travel photography, commercial
photography or portraiture?
Why?
I like my personal work better because I
have more control over my subjects.

What kind of photo deserved
labeled as a good photo?
A good photo is an image that makes
another photographer jealous of
course!

Share us some practical tips on
making a good photos.
Make a lot of mistakes and experiment
with everything you can.

Not many young photographer
or even they who older than you
have better capability and confidence
on photography. Share us
some tips to at least be better on
those aspect.
I think the best and most successful
photographers are always confident
but also trustworthy. If someone
doesn’t trust you, they will not be able
to make a good photo with you and
the quality will suffer because of it. A
good photographer takes time out of
shooting, and adds time into investigating.

payday loan

To get visitor attention, there are two concept offered. One is the traditional style, and the last one is the modern concept as we know there will be lots of color and minimalist surrounding environment. Either traditional or modern style, both of them have similarities, such as must have standard restaurant equipments and entertainment.

Talking about entertainment, the common one is television. This electronic device is a must in some restaurant. Business cable service could help you with the connection.

Instead of jukebox, television could break the silence, and most important is this equipment are more informative, cause its able to give current information. Direct TV business is the best satellite TV for your restaurant business.
Starting from sports, finance, and many other channels, to entertained and as a plus point in your business.

The other largest direct satellite service TV is dish network, join their dish business package.

Back to our unique design, whether you choose traditional style or modern style, make sure all the surrounding equipment blend with the color of your wall / wallpaper. Some says that certain color like red, will have fast food effect. It means customer getting attracted into your restaurant, thus they will not spend a long time inside, which means more profit you will get.

A little bit different with modern style, traditional style doesn’t play with bright colorful color, it tends to blend with certain culture. If you’re choosing this kind of style, you’re trying to get customer comfortable inside your restaurant. Some restaurant where equip with comfy furniture and free internet hot spot. This style are for good prospect relationship, the benefit is, your customer are your walking market teller. He or she will recommend your restaurant to his / her relatives and friends.

Which one you’re going to choose, its all up to you.

Everybody shoot landscape. But
only selected create some good ones. What did they missed to make
it good?
Art, in all forms, is immensely subjective.
I don’t know if anybody can give
universal reasons why something
should be categorized as “good” or
“bad”. I certainly do not have that understanding.
Some photographs touch
us emotionally, more deeply than others.
There are many reasons why this
could be, including; choice of subject
matter, technical excellence, aesthetic
pleasure, personal resonance, intellectual
curiosity, etc.
You do very intense personal project
and also commercial project. What
interesting for us is both project
output have the same style and the
same character. While some photographer
do a very different style &
character of output when shooting
for personal & commercial project.
What do you think about this? Why
can’t they do the same?
I am very fortunate and due to the success of my landscape work, I have
been able to accept commercial work
which allows me to use my personal
style of photographing. There would
really be no reason for anybody to
commission me if they didn’t want the
resulting images to be in my style. I am
also not sure I could photograph very
well in any other way. Practically speaking,
most photographers are not in a
position to turn down work and it is
necessary for them to adapt their style
and technique to the client’s needs and
wishes. I would certainly do the same
if my fine art work did not give me any
income!
Mention one word that describe
your photos
Sorry, I cant : ) I will leave that answer
for somebody else



What kind of picture deserve labeled
as “the great one”?
I think a book could be written on
this subject! In fact, many have been.
I believe a “great” photograph is in
the mind, heart, soul and spirit of the
beholder. Some photographs may be
considered “great” by consensus, others
by single individuals. There are “great”
photographs by ordinary photographers,
and ordinary photographs by
“great” photographers. Ultimately,
“great” is a label, subjectively applied.
You regularly do exhibition. Do you
think all photographers should do
exhibitions regularly? How often?
And please explain the reasons.
I cannot speak for other photographers.
For myself, I think it is important
to share images, whether it is through
exhibitions, web sites, books, calendars,
posters, notecards, etc. I think one
of the prime reasons to be a photographer
is the willingness and even
necessity to exhibit what is created.
Being a photographer means that I
hunt for experiences. I am privileged to
witness amazing things. I try to record
and interpret them. I don’t believe I
should hoard the results. I like to think
that I am a medium for others to see
things they might not otherwise have
the opportunity to see. I think that I am
really a guide.

Practically, exhibitions give me deadlines
to finish prints. They help me to
survey a body of work objectively, and
I am always interested in the viewers
reactions and responses. Exhibitions
also enable to me to survive because
my livelihood is very much based in
print sales.
If there is some kind of checklist
to achieved before you press the
shutter release, what aspect/point
should be on the list?
I would suggest that there is some sort
of resonance, connection or personal
response with the subject matter. But it
is different for everybody. Sometimes,
it is a form of therapy just to wander
and photograph. The results may not
even matter. Sometimes it helps to
see, understand and connect us the
world. Sometimes, it does precisely the
opposite and rather than experience
the world itself we hide behind the
camera. I like to think that I am having
a conversation with whatever I photograph.
I try not to steal an image, but
rather acknowledge that a photograph
is being made.
I look for an interesting composition,
an arrangement of shapes and tonalities.
I am drawn to certain lighting conditions and atmospheres. But it is
all so personal. For example I’ve always
liked to photograph in “conditions”;
mist, rain, snow, etc., where distracting
backgrounds are eliminated or subdued.
Sunshine and blue sky has never
appealed to me. Too much light tends
to reveal all the details of a scene and
I am not interested in a perfect photocopy.
I prefer suggestion over description.
I like to use the analogy of haiku
poetry where just a few elements act as
catalysts for one’s imagination. Often
I make long time exposures so that
detailed water becomes floating mist,
clouds in the sky become blurred masses
of tonality and a populated scene
becomes empty. The world is pretty
chaotic, seemingly always speeding up
and getting louder and more visually
dense. I am interested in finding and/or
creating calm shelters from the storm,
places where quiet solitude is encouraged
and inner contemplation is possible.
I think we could all use a break
from time to time…

Explain to us how you get doing photography and what makes you
interest on it?
In fact my first steps with photography took place during my childhood. My father
was really addicted with photography, and he guided me in my first approaches
and tentative. But in fact during all this period I knew I preferred drawing, so, after
my architecture studies I wanted to be an illustrator or a comics book author, and
that’s why I started to work as a professional illustrator both for press and publishing
houses. It was in the mid 1980’s.

In the early 1990’s I took an interest in computer graphics and 3D art, working for
several animated cartoons published on CD-Roms. I also designed websites. And
then, I later entered a major telecom group in France as a creation director, but,
finally, in 2005, I decided to pursue an artistic career once again. My goal was to
draw again, but curiously photography took place. In 2006 I bought a DSLR and
I found in photography, and especially in B&W, all I always wanted to tell. Today
photography has become my exclusive means of artistic expression.

You study architecture, is there
anything you have learn on
architecture
subject that helps you creating
a good picture? Please explain.

Of course everything you learn in your
life brings a lot and improve your art.
Architecture is a way to understand
spaces, geometry, rhythm and construction.
As an image creator architecture
is a great inspiration, and a great
subject to shoot, of course. Architecture
has inspired some of my series like
« Versailles » « Cities »or « Les Ravalet ».

A friend once said that if a photographer
can draw, it helps him
doing photography. What do
you think about that?
What’s in the drawing capability
that really helps a photographer
creating a photo.

I agree with your friend. That’s exactly
what I used to think.

You know, I drew comics for many
years, and I think it’s a major art. I really
learned a lot in this job. The way you
have to compose a picture to tell a
story, the scene cuts, the light work,
importance of black, use of shadows,
etc. When I look at some of my photos,

I recognize this influence in the means
I use to take and develop the photograph.
If you just look an illustration or
a comic, you can easily see the means
the author used to bring you in the
action. In my opinion, it ‘s definitely the
same process.

You don’t have a photography
education background. How do
you learn it and how to still get
improved time to time?

That’s right I never learn photography
at school, but my father taught me a lot

when I was a teenager.
But when I started, in 2006, I didn’t
really know what I would do with photography,

but when I realized my first
b&w photos, I did! It was a revelation..
I subscribed to some Art communities
on the internet in September 2006 and
began to show my work. Those communities
really helped me a lot to go
further in each new pic or series. And
it’s a fact that I have really learned a lot
showing my work to others, reading
critiques or single comments. Little by
little I improved the style, listening to
what people said on my photographs,
and finally I felt the direction I want to
take.

wait our next conversation with Bruno in the next posts.